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Janet Antone, Administrator, Indigenous London Arts, has decided to resign from the London Arts Council to focus on her family and beadwork business ( Ms. Antone's Beadwork ). Janet joined the LAC team in 2023, and over the past two years, she has passionately guided the London Arts Council's Indigenous London Arts program and service area, further defining it as a distinct area, sovereign in its development. She worked closely with various community partners to provide cultural consultation and opportunities for Indigenous Artists to exhibit their work, build their portfolios, and network with other artists and community members through thoughtful and professional experiences and programming. As a team member, Janet put her heart and careful consideration into advancing the London Arts Council’s Truth and Reconciliation commitments for the local Indigenous communities. She was always there to support her team members with a warm hug, a listening ear, and her great sense of humour. We learned so much from her knowledge and experience regarding how best to support our Indigenous community members and neighbours, and from her example of careful and compassionate guidance. Janet, we will miss you so much and wish you all the best in this next chapter! - ❤️ the LAC team

Allyson has led our board through many different adventures in her time as Board Chair and has been instrumental in growing and enriching it through membership and diverse representation. We are deeply grateful for her time on the LAC Board of Directors and wish her the very best!  Left to right: Eunju Yi, Allyson Vanstone, Janet Loo, Michael Trudgen, Brian Meehan, Janelle Yoon, Michelle Arnett, Ray Mile “Allyson Vanstone is stepping off from the LAC Board of Directors after having served three two-year terms since 2019-2020. She served as Chair of the Board for most of those years and I’m very grateful that she served as past chair this year as well.   Allyson has led our board through many different adventures in her time as Board Chair -through and after COVID and the hiring of our current Executive Director, Eunju Yi. She has seen our board at its slimmest and has been instrumental in growing it to now a fuller and diverse board. She led with great leadership, grace, wisdom, thoughtfulness, and a tremendous passion for the arts -- all with that signature warmth and joy she exuded. We will miss her greatly and we are hopeful that the positive impact Allyson has made will continue to have lasting effects in our work.”   - Janet Loo, Chair, LAC Board of Directors "I truly appreciate Allyson's leadership, support, and wisdom during the challenging COVID year and the leadership transition time. I cannot say enough how much I learned from her, as her caring and thoughtful guidance positively influenced my leadership style. It would be hard for me to imagine the LAC board without her, but I also know that she will always cheer for us and be part of LAC’s special moments. Once again, I am grateful for her dedication and unwavering support for me and the team. We, LAC’s board and team, will continue the legacy, and we will always think of her presence."   - Eunju Yi, Executive Director

Emily is a multi-media artist from Oneida Nation of the Thames. She holds a certificate and an advanced diploma in Fine Arts from Fanshawe college, and a Bachelor of Studio Arts degree from the Institute of American Indian Arts. She creates mixed-media work that tells a narrative, giving the viewer intimate insight into her cultural traditions, personal stories, and lived experiences. Meet Emily Schuyler Emily is a multi-media artist from Oneida Nation of the Thames. She holds a certificate and advanced diploma in Fine Arts from Fanshawe college, and a Bachelor of Studio Arts degree from the Institute of American Indian Arts. Emily creates mixed-media work that explores themes of identity and memory, by combining her cultural teachings, knowledge, and her experience as an Indigenous person living in the twenty first century using both traditional and contemporary methods of art making.  Ask Me Anything - with Emily Schuyler Who is someone you admire and why? The person I admire most is my mom. Her strength, patience, and wisdom have shaped me in more ways than I can count. I truly wouldn't be the person I am today without her guidance and example. She's been my biggest supporter and my most honest teacher, always encouraging me to speak up and stand tall. I know my voice wouldn’t carry the same weight or depth if it weren’t for the lessons she’s passed down and the way she’s lived her life. She inspires me every day to lead with heart and to never take my voice for granted. What is your artistic background? I’m a visual artist who likes to try a bit of everything. I’ve always been drawn to experimenting with different mediums and seeing where they take me. I went to school for Studio Arts, which gave me a solid foundation in a lot of different areas. Along the way, I ended up focusing on jewelry making and left with an emphasis in that. Working with my hands and getting into the details of metalwork really influenced how I think about art and creativity overall. What is your personal motto? My personal motto is “do good.” I often feel pressure to do something big or to be perfect, to make a major impact or change the world. But this motto reminds me that it’s okay to take a step back. Just doing good, being kind, showing up, making honest choices, is enough. It helps me stay grounded and reminds me that even small actions can matter. Name some favourite films/albums/works of art/pieces of literature. My favorite movie is Dance Me Outside, it was one of the first times I saw media that felt relatable to me. It also gave me my first crush on Michael Greyeyes, so it holds a special place in my heart for a few reasons. For music, I always go back to Three Cheers for Sweet Revenge by My Chemical Romance. It’s intense, emotional, and full of energy. A painting that’s always stuck with me is Saturn Devouring His Son  by Francisco Goya—it’s dark, powerful, and unforgettable. As for books, The Lathe of Heaven  by Ursula K. Le Guin is a favourite. Her take on reality and power is brilliant and still feels relevant today.

Michelle joined the LAC team in 2021, and has grown into her current role through her varied experience within the organization. She holds a Master's degree in Library and Information Science (UWO), and was co-founder of Rose Garden Press (2020-2025), through which she published handmade chapbooks featuring work by Canadian writers. Meet Michelle Arnett Michelle joined the LAC team in 2021, and has grown into her current role through her varied experience within the organization. She holds a Master’s degree in Library and Information Science from Western University, and was co-founder of Rose Garden Press (2020-2025) through which she published handmade chapbooks featuring work by emerging and rooted Canadian writers. Some of her favourite things are hanging out with her sweet canine pal buster, london fog ice cream from Haven’s Creamery, and the smell of book pages. Ask Me Anything - with Michelle Arnett What is your artistic background? I’ve enjoyed writing and literature since I was little and became interested in poetry in my teens. I studied English Language and Literature & Philosophy in my undergrad, and my first published poem was in my school’s literary journal. I really enjoy the process of trying to describe the complexity and nuance of an experience with inventive language; it keeps me in the role of observer, taking in my environment, noticing small details, and making connections. Poetry is a means for me to process and articulate these observations and experiences for my own understanding, but also to express them in a creative way that resonates outside of myself. From 2020-2025 I ran Rose Garden Press with my friend Michele, during which time we created and published handmade chapbooks of poetry, prose, and creative essays written by Canadian authors. I've learned so much from the incredible artistic community of London, and am happy to continue working with and supporting artists through the London Arts Council. Name some of your favourite films/books/albums/works of art. One of the first books I fell in love with was Tom Robbins’ Even Cowgirls Get the Blues—it’s full of fantastical metaphors and light-hearted philosophical insights that got me hooked on Robbins and his amusement park of a mind. I really appreciate his clever insights, and how he tempers them with a goofiness that shows he doesn’t take life too seriously. In sharp contrast, I read Simone Weil’s Gravity and Grace during a time underscored by a lot of change. It’s much more reflective and confronting than Robbins’ writing in its discussion of themes like love, evil, the self, violence, and their relation to spirituality. Weil lived a remarkable life as a social and political activist (and mystic!). I greatly admire her selflessness and dedication toward pursuing truth and justice. More recently, I really enjoyed Tatyana Tolstaya’s book of stories, Aetherial Worlds. In every story she communicates and realizes the supernatural force of emotion and imagination, allowing them to completely transform and transcend ordinary spaces and the ordinary lives of her characters. What are you happiest doing, when you’re not working? I can be a pretty big homebody at times, and especially in the winter months. I enjoy hanging out with my dog Buster, reading, listening to music and podcasts, and trying my hand at different creative projects—writing, as well as working with textiles through processes like weaving and embroidery. In the summertime, I love being outside—going for walks and discovering new places, picnics with friends, exploring trails, going to concerts, hanging out on a patio, and going on spontaneous road trips! Spending the day exploring a small town I’ve never been to before and taking in the atmosphere, learning bits of history, and hunting for treasure in their bookstores and antique shops would also be a solid day in my mind.

Pride flag outside Canada Life building Engaging, honouring, celebrating, learning. June holds much cultural significance as we recognize Indigenous History Month, Indigenous Solidarity Day (June 21), Canadian Multiculturalism Day (June 27), Pride Month, and Seniors Month.   We look forward to connecting with you and celebrating cultural vibrancy through our upcoming events including a Songlines Mural Unveiling of two local artists' works this Thursday, June 26.   Thank you to our operational partners for your ongoing support. Your critical funding and partnership provide crucial support for LAC  in maintaining and growing capacity for ongoing development, implementation, and delivery of professional artistic programs and services for our community and the local arts sector. We extend our gratitude to our strategic programming partners whose generosity helps us support the local arts community and artists with meaningful programs and opportunities. Walk After Rain (left) Sunrise (right) – Ani Sarian PUBLIC ART PROGRAM Traces of Time  Exhibition of Paintings by Artist Ani Sarian at RBC Place Gallery. Exhibition continues through June and ends in September this year. The London Arts Council in partnership with the City of London, London Music Office, and the Rotary Club of London invite you to a Songlines Mural Unveiling by local artists at South London Community Centre!   Join us this Thursday, June 26 at 12:30pm  for the unveiling of two murals at South London Community Centre – Colourful Communities  by Aruba Mahmud and Joy by Maisa Mreiwed. Colourful Communities  takes inspiration from coral reefs around the world and through this piece, Mahmud hopes to remind viewers of the beauty and the need to take care of the natural world. Joy evokes the power of community and the beauty of nature through a variety of symbolic depictions. Mreiwed, through this piece, reflects the Centre's integral role in bringing community together.   While Colourful Communities  is installed at the South London Community Pool and Joy  is installed at the South London Community Centre, both projects will be unveiled at the South London Community Centre. We look forward to sharing more details at the unveiling!   Date: Thursday, June 26, 2025 Time: 12:30pm start (doors at 12pm), followed by a reception Location: South London Community Centre (1119 Jalna Blvd, London On) Corrinne Garlick teaching her landscape painting class at East Lions Community Centre PROGRAMS AND LEARNING June sees the continuation of Growing Together Through the Arts Workshops  being delivered in the city. These senior-focused workshops include Watercolour Art, Collage, Music, Pottery, Landscape Painting and Theatre. These workshops are made possible through the Ministry for Seniors and Accessibility; Seniors Community Grant.   Relevant dates: June 25, 12:45-2:15 | The Joy of Music – Stronach Belong (Expansion) – Inclusive Arts Experiences for Indigenous Communities through TVDSB   Belong Expansion Youth Art workshops with an Indigenous focus were delivered in May and June at Beal, Saunders and Huron Park High Schools in partnership with TVDSB. These sessions concluded on June 5.   Belong (Expansion) – Inclusive Arts Experiences Youth and Children Summer Workshops   Belong Expansion Youth Art workshops will be delivered this summer (July-August) at Arva Eco Park. Twelve workshops will be delivered in total between the July 8 and August 14. These workshops will be twice a week on Tuesdays and Thursdays from 12:30pm - 2:30pm and cater to ages 4-14. Quashtaadying "Coming Together" - Garrett Nahdee INDIGENOUS LONDON ARTS On June 21 we shared a message with our community on social media ( Facebook;   Instagram ; LinkedIn ) in commemoration of Indigenous Solidarity Day , also known as National Indigenous Peoples Day .   As part of this post, we highlighted Quashtaadying "Coming Together," a piece by Garrett Nahdee. Nahdee is an incredibly talented self-taught artist from Walpole Island First Nation. Quashtaadying depicts a rare occasion, the eclipse, which in Indigenous beliefs signifies the Grandfather Sun and Grandmother Moon reuniting. "My work depicts a grandmother in the 7 grandfather teachings, which emphasizes the important role of grandmothers, often overlooked, although they carry and provide the 7 teachings for the community. […] I included the eagle at the top as the eagle represents love. Then we have Grandfather Sun and Grandmother Moon reuniting in the eclipse. Then we have the beaver for wisdom, the raven for honesty, the wolf for humility, the bear for courage, the bison for respect, and all of which are resting on the shell of the turtle. The Indigenous community calls North America Turtle Island. The turtle represents the truth, symbolizing that we live in alignment with our values. We must teach, defend, and abide by the truth.” With June being Indigenous History Month , this is a time for Canadians to recognize the diverse cultures across First Nations, Inuit, and Métis peoples, the history of the land stewarded and honoured by Indigenous communities, and the significance of Indigenous knowledge, including the preservation of language and traditions.    Consider engaging with the following resources: Truth and Reconciliation Commission of Canada: Calls to Action Atlohsa: Educational Resources   Biindigen's Indigenous History Month Challenge 2025 Ally Kit   To learn more about the ongoing opportunities, projects, and stories shared by Indigenous artists through Indigenous London Arts and the London Arts Council, visit the link below. Pot Is Drugs during soundcheck at FCLMA Kick-Off Block Party - May 31, 2025 ARTS ACTIVATIONS For June, we have live music at Covent Garden Market every Saturday from 8:30am - 1:00pm and Lunchtime Music at Market Lane every Friday from 11:00am - 1:30pm. We’re also supporting Hamilton Road BIA’s Carnival at St. Julien Park and East Park’s Canada Day Poutine Party, supported by The Paul Seed Fund. This year's LBMX Musician Mentorship Program  is well underway, with Bella Rosa, Saveria, Pot Is Drugs, and Tyrone Traher and the Rottweilers selected as 2025 participants. May was an incredible month for the program, kicking off with our first-ever pre-performance training session on May 24 at the Digital Creative Arts Centre. The session featured a mentor panel with Mai Tilson, Cynthia Nakeyar, and past program participant, Jeremy Fox Revett (pictured l-r). The bands received high praise for their rapid improvement, and they put their new skills to the test the following week at the FCLMA Kick-Off Block Party on Dundas Place.   Next up for these artists is the program's educational component, featuring workshops and a panel discussion! FUND DEVELOPMENT On June 19th, The Paul Seed Fund , held at London Community Foundation, announced grants totalling more than $235,000  to boost live music performances in London by creating connections and opportunities for musicians, venues, and audiences. The grants will support live music activities  coordinated through the London Arts Council and the London Music Office over the next year. “This is wonderful news for London’s music/arts community, especially in economically, socially, and politically turbulent times like now. I am positive that this strategic investment and multi-sectoral partnership will become a significant milestone that puts us on a promising path to fully realize London’s great potential as a vibrant arts and culture hub,” “Consistent and resumé-enhancing opportunities are fundamental in creating conditions where artists and the sector can continue to grow and thrive. I am thrilled that through these exciting initiatives, supported by the Paul Seed Fund through the London Community Foundation, the London Arts Council will be able to showcase London's talented artists in a highly visible manner to Londoners and visitors while supporting diverse events and ongoing work of community organizations through curated and enriched artistic/cultural experiences.”  - Eunju Yi, Executive Director, London Arts Council Board Retirement Announcement: Thank you Allyson Vanstone! “Allyson Vanstone   is stepping off from the LAC Board of Directors after having served three two-year terms since 2019-2020. She served as Chair of the Board for most of those years and I’m very grateful that she served as past chair this year as well.   Allyson has led our board through many different adventures, in her time as Board Chair -- through and after COVID and the hiring of our current Executive Director, Eunju Yi. She has seen our board at its slimmest and has been instrumental in growing it to now a fuller and diverse board.   She led with great leadership, grace, wisdom, thoughtfulness, and a tremendous passion for the arts -- all with that signature warmth and joy she exuded. We will miss her greatly and we are hopeful that the positive impact Allyson has made will continue to have lasting effects in our work.”  - Janet LooChair, LAC Board of Directors

Joy  by Maisa Mreiwed, was unveiled at the South London Community Centre (1119 Jalna Blvd) on June 26, 2025. Mreiwed's mural was created through the Songlines Project. ABOUT THE SONGLINES PROJECT In January 2023 the City of London participated with the Huron University Management and Organizational Studies Class on a City Studio Project to study what London could learn from other UNESCO designated cities about creative collaborations that could benefit London.  The “Songlines” proposed initiative developed by a group of students from this class, based upon a previous UNESCO program developed in Auckland New Zealand, won the City Studio community of choice award at the end of term Hubbub Event held at the Pillar Nonprofit Network in April 2023.  The City of London Culture Services  and the London Arts Council , in partnership with the London Music Office  and the Rotary Club of London , have come together to create the “ Songlines Project .” This project will showcase the artwork of London’s local visual artists that is accompanied by a “Songlines” QR Code that links to the London Music Office’s Spotify channel and the diverse music of talented local musicians at various stages of their music careers.In alignment with City of London 2023 – 2027 Strategic Plan, the “Songlines” project has a strategic focus on Economic Growth, Culture, and Prosperity. It hopes to support the outcomes of London as a destination of choice and encourage the growth of local artistic and musical talent. “Songlines” will contribute to London’s UNESCO City of Music designation. Songlines will beautify London’s streetscapes, communities, and neighbourhoods and strengthen London’s brand as an artistic and creative hub. Emerging and mid-career musicians and visual artists will gain more exposure to establish their brand that will further their careers to be export ready for more regional and international opportunities. This will in turn contribute more to the local cultural economy. ABOUT THE PUBLIC ART AND MONUMENT PROGRAM   The City of London’s Public Art and Monument Program facilitates the creation of public art in London, which bolsters civic pride, provides focal points for community celebration, creates meaningful employment for artists, and attracts tourism and investment. This mural was created by the artist through the City’s Public Art and Monument Program, managed by the City’s Culture Services team and administered by the London Arts Council and Indigenous London Arts, with support by the Rotary Club of London, and presented in partnership with the London Music Office. ABOUT THE MURAL:  JOY “ Joy, originally   created with a quill and black ink complemented by colourful acrylics,   is an artwork inspired by and digitally printed for The South London Community Centre.   At the heart of the artwork lies a prominent circle symbolizing unity, enlightenment, and harmony, reflecting the Centre’s integral role in bringing the community together through diverse activities for all ages.   The circle is guarded by two Northern Cardinals believed to bring joy, peace, guidance, and comfort to those in need.   Together, these symbols emphasize the power of community and the beauty of nature.” –  Maisa Mreiwed, 2024 ABOUT THE ARTIST "My artwork reflects my personal, academic, and professional journey as a Syrian Canadian artist, educator, and designer within an interconnected global world. Drawing inspiration from both the tangible realities of my surroundings and the ethereal landscapes of my dreams, each artwork tells a story of survival through the eyes of different living beings embedded within layers of geometric figures, intricate details and symbols inviting viewers on a journey of exploration and wonder. The overarching message is one of unity emphasizing the importance of safeguarding our oceans, skies, lands, and all beings for a more promising present and future. The artistic process for each artwork varies as it is guided by the story, canvas and scale. To tell each story, I use a quill and ink with black as a dominant colour complemented by secondary colours such as gold, copper, and silver acrylics, to create a harmonious balance and accentuate key symbols. Each stroke of the quill helps capture the beauty and emotions that manifest in my subconscious transcending the limitations of verbal communication inviting the audience to join me in the exploration of a world where words are unnecessary, and the language of the soul is depicted in shades of ink. I see art as a powerful visual narrative that enables reflection, critical thinking, and connects people to each other and the environment. Each element and symbol that I weave into my artworks is intentional. While the meaning may vary, the intention is for the viewers to discover something new every time they look at a piece and use their imagination to decipher the messages." – Maisa Mreiwed – JOY Mural –

Colourful Communities  by Aruba Mahmud, was installed at the South London Community Pool (585 Bradley Ave) on the exterior and interior pool windows and unveiled on. Mahmud's mural is the second created through the Songlines Project. ABOUT THE SONGLINES PROJECT In January 2023 the City of London participated with the Huron University Management and Organizational Studies Class on a City Studio Project to study what London could learn from other UNESCO designated cities about creative collaborations that could benefit London.  The “Songlines” proposed initiative developed by a group of students from this class, based upon a previous UNESCO program developed in Auckland New Zealand, won the City Studio community of choice award at the end of term Hubbub Event held at the Pillar Nonprofit Network in April 2023.  The City of London Culture Services  and the London Arts Council , in partnership with the London Music Office  and the Rotary Club of London , have come together to create the “ Songlines Project .” This project will showcase the artwork of London’s local visual artists that is accompanied by a “Songlines” QR Code that links to the London Music Office’s Spotify channel and the diverse music of talented local musicians at various stages of their music careers.In alignment with City of London 2023 – 2027 Strategic Plan, the “Songlines” project has a strategic focus on Economic Growth, Culture, and Prosperity. It hopes to support the outcomes of London as a destination of choice and encourage the growth of local artistic and musical talent. “Songlines” will contribute to London’s UNESCO City of Music designation. Songlines will beautify London’s streetscapes, communities, and neighbourhoods and strengthen London’s brand as an artistic and creative hub. Emerging and mid-career musicians and visual artists will gain more exposure to establish their brand that will further their careers to be export ready for more regional and international opportunities. This will in turn contribute more to the local cultural economy. ABOUT THE PUBLIC ART AND MONUMENT PROGRAM   The City of London’s Public Art and Monument Program facilitates the creation of public art in London, which bolsters civic pride, provides focal points for community celebration, creates meaningful employment for artists, and attracts tourism and investment. This mural was created by the artist through the City’s Public Art and Monument Program, managed by the City’s Culture Services team and administered by the London Arts Council and Indigenous London Arts, with support by the Rotary Club of London, and presented in partnership with the London Music Office. ABOUT THE MURAL:  COLOURFUL COMMUNITIES “These paintings, originally done in watercolour, gouache, and acrylic before being digitally printed, are inspired by the beautiful and important coral reefs found in oceans around the world. As coral reefs are found in oceans all over the world and are some of the most biodiverse ecosystems found in nature, they are reflective of the vibrant and diverse community in London.   The artist’s hope is that these colourful paintings remind us of the beauty of the natural world and the need to take care of it.   Have fun finding Sitara the blue starfish in all five paintings, along with her friends Jorge the jellyfish, Chen the clownfish, Sami the seahorse, Tamara the turtle, and Esa the eel!” –  Aruba Mahmud, 2024 ABOUT THE ARTIST Aruba Mahmud is an artist, teacher and entrepreneur born and raised in Ontario, who now resides in London with her family.  Aruba has always drawn, painted, decorated, glued, cut, and collaged her way through life. She is inspired by her Islamic faith, her vibrant Pakistani heritage, and the beauty of nature.  Aruba studied Visual Arts at Western University and holds a Bachelor's Degree in Education and a Master's Degree in Art Education.  When she's not creating (and making a mess), Aruba is reading, writing and trying to make the world more colourful and less racist. You can say hi and check out her latest work and business,  Art by Aruba , here: Instagram: @ art.by .aruba Website:  www.artbyaruba.com — COLOURFUL COMMUNITIES MURAL ⁠— —EXTERIOR— PANEL 1 PANEL 2 PANEL 3 PANEL 4 PANEL 5 —INTERIOR—

May 5, 2025  marks the 15th anniversary  of the National Day of Awareness for Missing and Murdered Indigenous Women, Girls, and 2SLGBTQIA+ Peoples (MMIWG2S+). This day, also known as Red Dress Day , can be traced back to a powerful installation art project  by Canadian Métis artist Jaime Black . The installation was “an aesthetic response to a critical national issue.” Black described her hopes for the installation which first took place in 2010, “ Through the installation I hope to draw attention to the gendered and racialized nature of violent crimes against Aboriginal women and to evoke a presence through the marking of absence .”   In an effort to carry on Black’s message, amplify Indigenous voices, and bring awareness to our local community, the London Arts Council  in partnership with the City of London Culture Services  have installed red skirts  created by Indigenous artist and educator, Kathleen Doxtator  from  Oneida Nation of the Thames , in the windows of the J. Allyn Taylor building (267 Dundas St).                       Click through the installation photos by using the arrows on the right and left. The red skirts are displayed to acknowledge the many missing and murdered Indigenous women, girls, and 2SLGBTQQIA+ peoples across Turtle Island , and the ongoing calls for support . There are great resources provided by other organizations. To learn more about MMIWG2S+ and participate in local events in commemoration of the day, please check out the following websites below:  Jaime Black; The REDress Project:   https://www.jaimeblackartist.com/exhibitions/ Amnesty International:   https://amnesty.ca/red-dress-day/    Atlohsa:  https://atlohsa.com/pages/event-calendar#calendar-4ef8aad2-6fa3-4d70-aa25-30be926391df   Kathleen Doxtator’s work as an artist, educator and community advocate centres Indigenous resilience, culture, and storytelling. She creates handmade ribbon skirts, beadwork, buttons, and wearable art that honour ancestral traditions while uplifting contemporary Indigenous voices, through her business Guided by Our Gifts . " I created these skirts to be simple, yet powerful – because that’s what Red Dress Day means to me. On May 5th, we show up in red to honour and stand with Indigenous women, girls, Two-Spirit, and gender-diverse people who are disproportionately affected by violence. These skirts are my way of showing up—with love, resistance, and remembrance stitched into every seam."

The 2025 LBMX Musicians Mentorship Program  is an initiative designed to support emerging London-based Bands through paid performances, resume-building opportunities, and tailored music industry mentorship. Now in its third year, the program continues to spotlight local talent and support their development with real-world experiences and professional guidance. Participating Bands will receive: Paid live performances   to build meaningful professional experience and public visibility through diverse live music performance opportunities. Resume-building exposure  through a high-profile performance at ExtravaBandza 2025 , supporting Canadian rising star/headliner, Renforshort. Known for her immersive performances, Renforshort has headlined international tours and supported major artists like Yungblud  and Lauv . She’s played sold-out shows in global cities and performed at top festivals including Lollapalooza , Festival d’Été , and Riot Fest , sharing stages with stars like Miley Cyrus  and  Post Malone . Pre-show performance training , panel discussions , and a targeted professional development workshop . Paid Live Performances & Resume-Building Exposure: Saturday, May 31st – London Music Week Kickoff Performance Each Band will perform as part of the opening celebrations for London Music Week , one of the city’s premier music events. Between June and August – Performance at Dundas Place Vendors Market Each Band will perform once at Dunda Place Vendors Market , gaining exposure to new audiences in a public setting. This opportunity will help each Band develop and refine audience retention and engagement skills/strategies. Saturday, September 6th – ExtravaBandza 2025 The grand finale of the program, where all LBMX Musicians Mentorship Program Bands will perform at ExtravaBandza , as supporting acts for the headliner, Renforshort . Hosted in collaboration with Fanshawe College Orientation Week , this event offers major exposure in a high traffic festival-style environment. All performances will include full technical support: staging, sound technician(s), and audio equipment will be provided.     Professional Development Opportunities: Saturday, May 24th – Pre-Performance Training A mandatory training session for all Band members , focused on preparing for live shows, tightening performance quality, and building strong stage presence. Between June and August – Panel Discussions A curated series of industry panels featuring artists, music professionals, and community organizers, covering essential topics such as: Grants & Funding  – Navigating financial support for your music Booking & Touring  – Getting shows and planning your route Marketing & Promotion  – Building your audience and brand Music Law & Business  – Copyright, royalties, and agreements Financial Literacy  – Managing taxes and finances Collaboration & Community  – Working with organizations and building relationships Minimum one Band member is required   to attend. Late September – Beyond the Show: Your Next Step – Strategy Workshop   This focused session will explore how to maximize momentum after a show — from content creation and networking to securing future bookings and press. Minimum one Band member is required   to attend.     Timeline (May – December 2025) LBMX Musicians Mentorship Program 2025 Timeline and Requirements Description Timeline Attendance Requirement LBMX Musicians Mentorship Program Online Application Process Commences April 2025 N/A Assessment and Selection Process May 2025 N/A Pre- Performance Training May 24th, 2025 All Band members required Kickoff Performance – London Music Week May 31st, 2025 All Band members required General Music Industry – Panel Discussion June – August 2025 Minimum one Band member required Dundas Place Vendors Market – Performance June – August 2025 All Band members required ExtravaBandza 2025 - Performance September 6th, 2025 All Band members required Beyond the Show: Your Next Step – Workshop Late September, 2025 Minimum one Band member required   Payment (per Band) Description  Amount London Music Week Kickoff Performance    $1,000.00 Dundas Place Vendors Market Performance $1,000.00 ExtravaBandza Performance $1,000.00 Total $3,000.00 Program Eligibility For the LBMX Musicians Mentorship Program opportunity, a Band must meet the following eligibility criteria: All Band members must be 18 years of age or older. Band must have a minimum of 3  members. At least 2/3 of Band members must reside in London, Ontario or the surrounding First Nations communities—including the Chippewas of the Thames First Nation, the Oneida Nation of the Thames, and the Munsee-Delaware Nation. Note: The Band’s main contact or lead applicant must be a resident of London or surrounding First Nations. The Band’s core/main activity must be based in London, Ontario, and the Band must be connected to London’s music community. A minimum of two years of professional experience as a Band, with a history of receiving compensation for work and opportunities within the music industry. Band must be considered emerging. LAC defines an emerging Band as a group of developing artists actively building their presence in the music industry through performances, recordings, and audience engagement. These Bands are starting to gain traction, building a following, establishing their musical identity and reputation, and demonstrating strong artistic potential. Must be committed for all dates included in the Timeline & Requirements . Selection Criteria   1.       Artistic Merit – 40% 2.       Program Alignment – 30% 3.       Passion and Commitment – 30%   Application Information You MUST read the full application information for this opportunity prior to filling out the online application.

The Gallery In response to demand from local artists for exhibition space and to promote and celebrate our talented local artists, the London Arts Council and the City of London Culture Services have collaborated with RBC Place London to pilot The Gallery program at RBC Place London as part of our London Arts Live (LAL) program offerings. The purpose of The Gallery is to promote the work of artists and creators residing in London and surrounding First Nations to display original artworks for exhibition, with sales opportunities, on highly prominent and specially designated wall space within this municipally owned building. Birches Within the Forest Chris Allaway is a self-taught fabric and textile artist and has dedicated the last decade to honing her craft. Allaway lives and works in London. When she is not diligently working on numerous projects in her studio gleamed from over 150 bolts of fabric, she is immersing herself in nature. Allaway takes inspiration from the Canadian landscape. She can be found navigating the trails of the Georgia Bay area, Banff National Park, and British Columbia. Allaway has shown at local galleries in London, and he work can often be found at Stratford’s summer festival ‘Art in the Park.’ An Interview with Chris Allaway Birches on the Waterfront Threads of the Earth by Chris Allaway ( on exhibtion Jan – May 2025) Q : Tell us the story behind the work that makes up the Threads of the Earth  exhibition. How did it start? What was it inspired by? A : Threads of the Earth came about as a reflection of my love for the beauty in natural surroundings. Throughout my travels, I have always been intrigued by the captivating scenes of trees, water, and the intricate shapes and colors of rocks. Many of my journeys have been in Northern Ontario, a region where I can feel the same inspiration that the Group of Seven once found in the windswept branches of trees, the twisting, winding roots, and the vibrant hues of the rocks. These landscapes speak to me on a profound level, and they are woven into the essence of this collection. Through this work, I aim to capture the spirit of these natural wonders, translating the textures, colors, and shapes into a tangible form that echoes their beauty and power. Threads of the Earth is both a tribute to these landscapes and an invitation for others to see and feel the inspiration that nature offers. Q : What inspires you as an artist? A : What inspires me as an artist is interpreting what I see in such a way that others can feel as though they have stood in those same spaces and experienced the beauty I’ve encountered. My work is driven by the desire to translate the essence of a place into something that resonates emotionally with the viewer. Q : Walk us through the creative process behind this work, how do you go about capturing these fascinating images which operate as comments on photography, painting, craft and collage? A : My creative process begins with an image—whether real or imaginary—and bringing it to life using the many fabrics I’ve collected during my travels across the country. Each piece starts with a vision, but it’s the textures, patterns, and colors of the fabrics that truly shape the work as it evolves. A significant part of the process is selecting just the right fabrics. I spend countless hours in quilt shops, searching for materials that perfectly capture the essence of the image I have in mind. Sometimes, however, it’s the fabric itself that inspires me. A particular pattern, color, or texture might spark an idea and set me on a journey to create a piece that brings the fabric’s story to life. This interplay between the image in my mind and the tactile qualities of the fabric is at the heart of my creative process. Q : Why does creativity matter to you? A : Creativity matters deeply because it offers a way to express myself that I otherwise find, as an introvert, very hard to do with people, it allows me to process emotions, and find balance in life. It's wonderful that it keeps you grounded and fills you with joy—it's such a powerful tool for wellbeing and personal growth. Q : What is it like being a creative here in London? Are there gaps that currently exist when it comes to supporting the Arts? What kind of support is needed? A:  Being a creative in London offers opportunities, from galleries and exhibitions to a diverse community of artists. However, gaps often exist in areas like affordable studio spaces, consistent funding, and access to mentorship for emerging artists. There's also a need for more initiatives that bridge the gap between art communities and wider audiences. Q : What do you envision now for your future in the Arts here in London? A : I see a need for year-round platforms to showcase creativity. While outdoor art events are frequent in the summer, indoor events during other seasons could not only keep the momentum going but also provide more intimate spaces for connecting with art buyers and fellow artists. Being a part of several art groups allows for showing art and meeting buyers a few times during the year, I see a need for more of these events as London has a large collection of talented artists. Q : What made you most excited about putting yourself out there to work with the London Arts Council and RBC Place London for this exhibition? A : Being with London Arts Council and RBC Place London allows me to showcase my diverse form of creativity and helps open minds and elevate underrepresented art mediums. Q : We hope to see lots more of your artwork around the city. Where else can we find your artwork? A : My artwork can always be found at ArtWithPanache, Talbot Centre. In March as part of the St. Thomas Art Guild, I will be participating in an show at the St. Thomas Holiday Inn Express & Suites, March 21st to 23rd. I am with the London Artists Studio Tour, happening this April 25th, 26th, 27th. I will also be showing with the Lambeth Art Association at the Lambeth United Church May 1st to 3rd. I will also be at Stratford Art In The Park from May long weekend through to the end of September. View the Threads of the Earth exhibtion at RBC Place London on the following dates: Thursday January 23, 2025 11:00AM-2:00PM Thursday January 30, 2025 11:00AM-2:00PM Thursday February 13, 2025 11:00AM-2:00PM Thursday February 20, 2025 11:00AM-2:00PM Thursday February 27, 2025 11:00AM-7:00PM Monday March 3, 2025 10:00AM-4:00PM Tuesday March 4, 2025 9:00AM-2:00PM Thursday March 6, 2025 11:00AM-2:00PM Thursday March 13, 2025 11:00AM-2:00PM **enter via the main doors on York St.** The objectives of the Gallery program are: to create a beautiful, unique, and cultured atmosphere; provide compelling experiences for local, national, and international visitors; educate the public by presenting a series of diverse artworks created by local professional artists; and provide professional opportunities for local artists, including increased promotion, sales, and career enhancement. For more information about this project or inquiries regarding purchasing artworks, please contact the London Arts Council at info@londonarts.ca

The Gallery In response to demand from local artists for exhibition space and to promote and celebrate our talented local artists, the London Arts Council and the City of London Culture Services have collaborated with RBC Place London to pilot The Gallery program at RBC Place London as part of our London Arts Live (LAL) program offerings. The purpose of The Gallery is to promote the work of artists and creators residing in London and surrounding First Nations to display original artworks for exhibition, with sales opportunities, on highly prominent and specially designated wall space within this municipally owned building. A self-described foodie, coffee snob, and jazz enthusiast, Paul Lambert is a portrait and street photographer living in London, Ontario. Professionally, he specializes in personal and executive portraits, professional headshots, and business branding photography. His artistic passion is street photography. Lambert has a long history of creating visual art but didn’t pursue photography in a serious way until 2016. His work has been exhibited in several galleries and venues in Ontario, including the Westland Gallery and Museum London gift shop, both in London, and the CONTACT Photography Festival in Toronto. Currently, Lambert is working on a personal project interviewing and photographing local visual artists. The collection will be exhibited in the autumn of 2025 with a complementary book to be released sometime later. An Interview with Paul Lambert Emery Variety , 2023 The Silence Between the Notes by Paul Lambert ( on exhibtion September 2024 – December 2024) Q : Tell us the story behind The Silence Between the Notes  exhibition. How did it start? What was it inspired by? A : The photos in this exhibition are just several of a larger body of work I’ve been adding to over several years. I love street photography for several reasons; the unpredictability, the historical record—street photography has played a large role in documenting social evolution over the past several decades; the excitement of finding a story that unfolds spontaneously; the challenge of composing quickly and catching a fleeting moment before it’s gone. It’s an activity that takes a lot of time and often returns nothing for the efforts. But when it does, it’s extremely gratifying. Although I’ve exhibited other work in galleries and other venues, I’ve never had the opportunity to exhibit my street photography. I plan to self-publish a book. I think that’s the best way to present this kind of work and get it in front of people. When I was asked if I’d like to exhibit some of my street photography at RBC Place, I jumped at the opportunity. This is the first time I’ve seen a collection of it framed and curated. I’ve generally exhibited a collection of work thematically. In this case, the work was selected and I then had to think of a theme, or title, that tied it together. Most people who are interested in street photography are familiar wth Henri Cartier-Bresson’s reference to the decisive moment. For whatever reason, that notion of capturing an essential moment in time often reminded me of Miles Davis referring to the space between the notes being what’s important to music. As I pondered these two thoughts, I Googled “the space between the notes” and discovered it was Debussy who said, “Music is the space between the notes.” It was while pondering these ideas I thought of the title for the exhibition. It seemed to articulate how I feel when I look at a street photo I really like; the magic of a moment in time that silently expresses a story—captured within the symphony of city life. Q : What inspires you as an artist? A : I think all artists are inspired by their life experiences, both simple and profound. I’m inspired by many things. Looking at other artists’s work, particularly paintings, sculptures, and photographs. I’m inspired by music. I’m quite fond of jazz—especially improvisational—and early 20th century classical. Music has had a profound influence on me. I’m inspired by seeing the world through other people’s eyes who have lived a different kind of life than I have. I’m inspired by listening to children's’ view of the world. We’d all do well by slowing down and seeing the world the way children do, with a sense of wonder and excitement. I’m inspired by books I read and by people who have done rare and exceptional things. All this is to say, the world is a rich place. There’s a lot to take in. Some of it we take in consciously if we decide to be awake and observe what’s going on around us. But there is so much more we take in subconsciously and if we put ourselves in situations where we can absorb rich raw material for our subconscious mind, these things will eventually be expressed through our creativity. Q : Walk us through the creative process behind this work, how do you go about capturing images like this? A : I suppose it’s a well-worn cliché to draw an analogy to hunting and fishing with regard to street photography, but it’s a good one. Certainly for me at least. If you’re out on the street with a camera I suppose you’re always hunting. Sometimes, as with Emery Variety , the opportunity just jumps out at you. I happened into this variety store with nothing but my phone and when I saw the “collage” on the wall I had to capture it. It appealed to my sense of finding order within seeming chaos. Guilty , Ignore   My Douche Boyfriend , and Official Butter Tart Tester  are examples of going out to places or events where I assumed I would encounter interesting visual stories. In other words, finding situations where the hunting would be lucrative. I also like to fish. Finding a spot that provides an interesting backdrop or situation but needs someone to walk into it to make it interesting—to complete the story. Handmaid’s Tale and Skater  are good examples. I really liked the scenario of the poster for the Handmaid’s Tale TV series in a transit shelter on Front Street in Toronto. All I needed was the right person to walk into the frame. I was well rewarded for my hour-long wait. For Skater , I saw these young men doing what skate boarders do. I hung out and took about 100 frames. It wasn’t until reviewing them later in editing I noticed the little girl looking back at the skater. She makes the photo. Completes the story. Contemplation  was just luck of having a camera with me. I have no idea what the subject was doing but it makes an intriguing story. Q : Why does creativity matter to you? A : That’s a question that could lead to a lot of tangental thoughts. Creativity matters to me as a skill or gift that supports me in all aspects of my life. From problem-solving to spending my time in ways that bring me joy. Creativity is, for better or worse, what has brought civilization to where we are today. And for the most part, it’s pretty amazing. I like what Rick Rubin has said about creativity: The ability to look deeply is the root of creativity. To see past the ordinary and mundane and get to what might otherwise be invisible. Perhaps that’s his way of referring to the silence between the notes. Q : What gaps currently exist when it comes to supporting the Arts? What kind of support is needed? A:  I’m a relative new comer to the art scene so I’m not sure I’m qualified to answer that except perhaps as simply a member of society. In North America in particular, the arts are becoming less valued as illustrated by the decrease in funding, both for public art and our education system when at the same time, sports are highly regarded and supported. Many cities in Canada have lost their symphony orchestras for example. But not their hockey teams. The arts are important to society—to the development of civilization—by providing historical context and insight for millennia; by leading to healthy cultural discussion. Art makes the world more beautiful, interesting, and enriching. It helps people connect their rational being with their creative nature. I believe we could use more of that in North America. According to a 2000 report by the U.S. National Endowment for the Arts, Finland leads the per capita spend on the arts at $91, followed by Germany at $85. Canada isn’t too bad at $46 when you consider the U.K. is $26 and the U.S. is $6. How are we doing in London? I think there are a lot of people and organizations doing a great job considering the resources they have available to them. However, the budget allotted to the London Arts Council is, in my opinion, pathetic for a city our size. But it shows where the city’s priorities lie. Kitchener has a performing arts centre. We have a hockey arena. Any gaps we have are ultimately a result and direct reflection of what the general public thinks about the value of art in our culture. I don’t know how you move that in a more positive direction. I wonder what Finland and Germany are doing that we aren’t. Q : What do you envision now for your future in the Arts here in London? A : I dipped my toe into the art scene in London in 2018 with my first exhibition at the Westland Gallery. In 2022 I sold my business interests to my partners and have focused on my creative work full time since then. Earlier this year I embarked on a project documenting—interviewing and photographing—local visual artists with a goal to mount an exhibition of portraits and later self-publish a book of the portraits accompanied by a narrative from the conversations I’ve had with these people. It’s been an amazing experience. I feel extremely fortunate to have met the people I have, to have had profound conversations and insights into the lives of people who’s names far too few Londoners would even know. I hope to change that. This project has taken on a life of its own and has already led to some amazing opportunities and ideas. What do I envision for my future in the arts in London? I don’t know except to say I’ve begun an exciting journey and am looking forward to where it takes me. Q : What made you most excited about putting yourself out there to work with the London Arts Council and RBC Place London for this exhibition? A : I’ve never seen my street photography exhibited. That’s exciting. I suppose getting feedback about what others think of it is the most exciting. I appreciate the exposure and hope it’s a step toward me finally putting a monograph together. Or perhaps another exhibit somewhere. Q : We hope to see lots more of your artwork around the city. Where else can we find your artwork? A : I have work on display at the Museum London gift shop. I’ll be part of a group show at the Westland Gallery that opens in November. And, as I mentioned earlier, I’m looking forward to exhibiting my portraits of local artists in a local gallery sometime in the fall of 2025. View The Silence Between the Notes exhibtion at RBC Place London on the following dates: Thursday October 24, 2024 11:00AM-4:00PM Monday October 28, 2024 12:00PM-5:00PM Thursday October 31, 2024 11:30AM-2:00PM Wednesday November 13, 2024 8:00AM-4:00PM Thursday November 14, 2024 11:30AM-2:00PM Monday November 18, 2024 4:00PM-7:00PM Thursday November 21, 2024 11:00AM-3:00PM Wednesday December 4, 2024 10:00AM-2:00PM Thursday December 12, 2024 11:00AM-2:00PM **enter via the main doors on York St.** The objectives of the Gallery program are: to create a beautiful, unique, and cultured atmosphere; provide compelling experiences for local, national, and international visitors; educate the public by presenting a series of diverse artworks created by local professional artists; and provide professional opportunities for local artists, including increased promotion, sales, and career enhancement. For more information about this project or inquiries regarding purchasing artworks, please contact the London Arts Council at info@londonarts.ca

Presented by the London Arts Council and LBMX Place , Extravabandza  is an exciting showcase of London's thriving music scene, celebrating the city's rich band culture. Join us for a full day of live performances featuring the incredible talent of the LBMX Musicians Mentorship Program participants: Jai Vinyl , Juice Joint , Anddre & The Reflections , and The Jeremy Fox Revett Band . Special guests include Toronto-based band Bitter&Broke , with a headlining performance by the captivating Ari Hicks . But that's not all— Extravabandza  will also highlight local artisans, face painters, balloon artists, and other creative experiences, making it a true celebration of artistic expression! Don't miss this unforgettable event happening on Dundas Street, between Talbot and Ridout , on Saturday, September 21st, from 12:00 PM to 9:00 PM . Bring your friends and family for a day filled with music, art, and fun! Performance Schedule Event Duration:  12:00 PM - 9:00 PM Location: 100 Dundas St. Stage   Opening Ceremony : 12:00 PM - 12:30 PM   Band Performances:   Jai Vinyl 1:10 PM - 1:55 PM   Anddre & the Reflections 2:35 PM - 3:20 PM   Juice Joint 4:00 PM - 4:45 PM   The Jeremy Fox Band 5:25 PM - 6:10 PM   Bitter&Broke 6:50 PM - 7:35 PM   Ari Hicks 8:15 PM - 9:00 PM   Panel Discussion Schedule Event Duration:  12:30 PM - 5:25 PM Location:  Fanshawe Good Foundation Theatre (130 Dundas St.) Panel Discussions   Grant Writing and Funding 12:30 PM - 1:10 PM Click here   to register Artists and Organizations: Building Ethical Collaborations 1:55 PM - 2:35 PM Click here  to register The Art of Touring & Bookings 3:20 PM - 4:00 PM Click here  to register Marketing, Promotion & Social Media: Amplifying Your Art and Reach 4:45 PM - 5:25 PM Click here  to register  *This is a FREE, family friendly event* If you'd like to attend a panel discussion, please make sure to register through the EventBrite link below to reserve your spot. Seats are limited. Please make sure to arrive 10 minutes early, as discussions will begin promptly at the scheduled time. Grant Writing and Funding - 12:30pm - 1:10pm : Panelists : Lori Runciman - Director, Grants, London Community Foundation https://www.lcf.on.ca/lori-runciman Asante Deluy - Specialist, Arts Activations, London Arts Council / Musician https://www.londonarts.ca/post/meet-the-team-asante-deluy Justin Maki - Musician https://www.justinmakimusic.ca/ Moderator : Janet Antone - Administrator, Indigenous London Arts, London Arts Council / Beadwork Artist, Ms. Antone's Beadwork https://www.londonarts.ca/post/meet-the-team-janet-antone Join us for an insightful discussion focused on securing funding for artistic projects. This panel brings together a group of successful grant recipients and grant organizations who will share their programs, experiences and strategies for navigating the world of arts funding. From the intricacies of writing winning grant proposals to leveraging available resources, this session is designed to provide artists with practical tips to help secure funding for their work. Whether you’re new to grant writing or looking to refine your skills, this panel offers real-life examples of what works and how to make your application stand out. Attendees will leave with valuable insights and actionable advice on how to strengthen their grant proposals and unlock more opportunities for artistic growth. Click here to register Artists and Organizations: Building Ethical Collaborations - 1:55pm - 2:35pm: Panelists : Graham Henderson - CEO, London Chamber of Commerce https://www.londonchamber.com/ Mario Circelli - Founder & Chair, Forest City London Music Awards / Founder & Chair, London Music Hall of Fame https://fclma.ca/about-us/ Dan Brodbeck - Program Coordinator/ Professor, Music Industry Arts, Fanshawe College & Grammy nominated record producer/recording engineer https://www.danbrodbeck.com/ April Voth - Executive Director, London Symphonia https://www.londonsymphonia.ca/ Moderator : Eunju Yi - Executive Director, London Arts Council https://www.londonarts.ca/post/meet-the-team-eunju-yi-executive-director This panel is designed to guide Artists and Musicians through the process of building successful collaborations with organizations. Focusing on best practices, our panelists will discuss how artists can approach organizations, pitch projects, and navigate partnerships in a professional and ethical manner. Topics include understanding the goals of the organization, aligning your vision with theirs, and maintaining clear communication and transparency throughout the collaboration. Artists will gain valuable insights into fostering respectful and productive relationships, ensuring that their work and ideas are represented fairly while contributing meaningfully to the organization's mission. Click here to register The Art of Touring & Bookings - 3:20pm - 4:00pm : Panelists : Noelle Frances - Musician, The Pairs https://thepairsmusic.com/home Brent Jackson - Musician, Sunshine Makers / Founder, Lovetown Records https://www.lovetownrecords.com/ Brandon Eedy - Promoter / Booker, London Music Hall https://londonmusichall.com/ Jim McDonald - Musician / Promoter / Booker London Brewing Co-op https://www.londonbrewing.ca/ Moderator : Philip Gurrey - Administrator, Programs and Learning, London Arts Council https://www.londonarts.ca/post/meet-the-team-philip-gurrey-administrator-programs-and-learning Dive into the essentials of touring and securing more bookings with insights from seasoned artists and industry experts. This panel will cover strategies for planning successful tours, finding and negotiating gigs, and building relationships with venues and promoters. Click here to register Marketing, Promotion, and Social Media: Amplifying Your Art and Reach - 4:45pm - 5:25pm : Panelists : Janis Wallace - Professor, Marketing and Communications, Western University Alex Dolphin - Musician https://www.instagram.com/alexdolphinmusic/ Sam Freem - Musician https://www.instagram.com/freem222/ Moderator : Philip Gurrey - Administrator, Programs and Learning, London Arts Council https://www.londonarts.ca/post/meet-the-team-philip-gurrey-administrator-programs-and-learning In today’s digital age, effective marketing and promotion are key to building a successful career in the arts. This panel brings together marketing experts, and artists to discuss how to craft impactful promotional strategies that reach and engage audiences. Topics will include using social media to grow your following, creating content that stands out, and maximizing your marketing efforts with limited resources. Whether you’re looking to promote an album, tour, or brand, this panel will offer actionable advice on how to leverage digital platforms and traditional marketing techniques to amplify your art and connect with fans. Click here to register